Life as a Phone Girl free essay sample

It’s a busy Friday night at work as I stand behind the counter. The phones are ringing every two minutes and I can barely keep up. I’ve only been at work for an hour and already everything is going wrong. Customers are calling to complain, delivery drivers are getting lost, and the kitchen is chaos. But above all, the excitement and stress that my job brings upon me is what I love the most. As a phone girl, I am responsible for interacting with customers and addressing any problems they might have. The phone rings. I answer the call and greet the customer. â€Å"Thank you for calling Rosati’s in Oconomowoc, how can I help you?† â€Å"I came in 20 minutes ago to pick up my order and my pizza is all wrong. I live half an hour away and I am not driving back there to pick up a new one. We will write a custom essay sample on Life as a Phone Girl or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page What kind of service is this?† Dealing with unhappy customers is not uncommon. I am the one who is yelled at for mistakes that aren’t my fault. I ignore the customer’s angry tone and apologize for the mix up. I give her a credit on her account and I ask if there’s anything else I can do for her. In the midst of answering phone calls, I’m also responsible for carry-out orders. Customers are continuously complaining about how long they must wait for their food to be ready. I politely let them know that I will inform the chef that he needs to finish the order as quick as possible. I’ve learned through my job, if I keep calm and positive, I can achieve and help. I use these characteristics in every aspect of my life and am able to see success in others areas as well.

Moral and Political Justice essays

Moral and Political Justice essays Affirmative action is the nations most ambitious attempt to redress its long history of racial and sexual discrimination. Born of the civil rights movement three decades ago, the policy calls for minorities to be given special consideration in employment, education, and contracting decisions. Institutions with affirmative action policies generally set goals and timetables for increased diversity and use recruitment, set-asides and preference as ways of achieving those goals. Affirmative action is undoubtedly an issue of justice. From this point forward well define justice as it is found in Merriam-Webster: the maintenance and administration of what is just especially by the impartial adjustment of conflicting claims; the assignment of merited rewards or punishments. Furthermore, for the issue to be thoroughly understood we must approach it from both a moral and political perspective. What does it mean to be morally just... politically just? The discrepancy in definition will inevitably be displayed in their determination on the issue. The term moral justice suggests an abstract, idealistic system which bases its rulings on a universal code of morality and ethics. To be moral is to conform to a standard of right behavior, always operating with ethical judgment. One would think this to be a faultless system. Political justice, on the other hand, seems more realistically applicable in human society. Every system of justice is created with the same primary intent- to uphold a nations standard of living. We are granted rights as humans and citizens and are prohibited from inflicting on others rights. This must be the foundation of any system. While moral justice remains consistent and uncompromising, political justice is dependent upon government rule and socio-economic factors. In countries where there exists an oligarchy or dictatorship, justice can be misconstrued to mean whatever proves to be ben ...

Psychology (experiments) Essay Example | Topics and Well Written Essays - 1250 words

Psychology (experiments) - Essay Example This depends on the grouping of words according to the system. This is the fundamental step for organization that effects the recalling or retrieving the information. The study of the experiments conducted on 118 under graduate students examined the idea that the organization in memory varies depending on the processing of input. The depth of the processing and the conditions of retrieval will show the effect on the recalling the associates. In this case the memory and the organization are distinguished. The organization of the associates or the words given in the experiment will imply the hierarchical structure. This is due to the grouping of the items according to a system. In case of associative organization the direct links among the members of the group of the words will play the role of organization, effect on memory and recalling. The effort to be encoded during the learning and grasping can be utilized in the effort of remembering than the associative relations. The list of words grouped in the experiment 1 into different categories. Alternatively they can be grouped into associative categories also. This did not happen and only the organ ized and random lists of words were given for the participants. ... The associative and conceptual clustering that are observed gave outputs by tending to increase with the recall trials which is not examined in this case. This can be termed as a limitation in this case. This suggests that the establishment of retrieval scheme is dependent on clustering and organization. In experiment 2 the memorizing is done by video unlike the audio in the first case. As no secondary tasks are allowed, the participants recalled the words either without it. This is relative to the undisturbed recalled condition as the secondary task condition indicates the stronger associative than conceptual clustering. This denotes that the different types of organization of memory are important under different conditions of attention like audio and video.2 The results obtained can be useful in general and medical psychology. The ordinary people and patients can be examined by taking these results as normal conditions. These types of results are useful extremely in treating schizophrenic patients. The comparison of the results to those of the patients will give the extent of the disease. The learning tasks for the patients can be framed according the results based on the above experiments. The duration of the listening and viewing the list was not taken into consideration in the above mentioned and these can be termed as the limitations for the study.3 Hypothesis: The recalling and cognitive behavior depends on the organization and clustering of the data and information. 2. Discussion There are large demands on working memory during text comprehension. The expert performance needs the traditional models of working memory involving temporary storage. These should be extended in order to include the working memory that is

The education of Sparta---Military life Research Paper

The education of Sparta---Military life - Research Paper Example One of many war experiences was the Dorian invasion which had played a great role in the development of the city state of Sparta. The Spartan political system underwent a lot of sociopolitical and military transformations. Around the 7th century BCE it descended from monarchic system to a basic republic political system. From 1050 BCE to 750 BCE, the political culture of Sparta as well as of other Greek city states can be characterized by a type of monarchy which later transformed into aristocratic oligarchy. The military training of a Spartan would start during his or her childhood. But more interestingly, the selection process of a Spartan soldier used to begin before they were born. In this regard they would take the help of Eugenics. During the 7th century BCE, the Spartan city state faced a sociopolitical unrest which was partly the result of the 7th century Lelantine War, a strife among the Greek city states. During this period, the Spartans turned their attention to build up themselves and to conquer others. The foundation of Sparta was its military. As a military state, Sparta could, to a large extent, maintain peace and harmony among their citizens and enabled the Greek to build an army to mitigate the threats from their neighbors. The first and foremost reason why the Spartans depended on their military power was that they were obsessively war-loving people. They loved war so much, that they turned the country into a military camp. Sparta was a prominent city-state, the one that a dominant military country in ancient Greece. It also was one of the strongest polis among the best of battle. The military in this country covered most of the citizens’ life. The City State of Sparta had the most outstanding military forces in the history of ancient civilization. The Spartan soldiers are popular for their valor, dexterity and fighting skill. The Greek culture was very rich. It was superior to most

Manufacturing Engineering Essay Example | Topics and Well Written Essays - 500 words

Manufacturing Engineering - Essay Example Machine operators working on holonic systems focus their activity on complex problem solving (Oborski & Szafarczyk 2001). Fractal and bionic manufacturing ideas propose manufacturing system performance improvement by stressing work organization factors based on autonomous groups. The human operator also plays a vital role in computer integrated manufacturing (Nagalingam & Lin 1999). All of those new manufacturing engineering paradigms are aimed at creating so-called advanced manufacturing engineering systems. In such systems, several factors are decisive for success: technology, information processing and human factor. Moreover, those factors must coexist together. One of the most crucial and not yet appreciated factors in this combination is the cooperation of technical systems and the human operator. The proposed research will be based on advances in socio-technical approach in Manufacturing Engineering. The socio-technical approach to system design was introduced by the Tavistock Institute of Human Relation in London in the early nineteen-fifties.

From Cinematic Space To Mental Space

From Cinematic Space To Mental Space Space is an the unlimited three dimensional expanse in which all objects exist or it is the interval of distance and time between two points, objects or events.  [1]   The concept of the term space evolved with time. Initially this term strictly had a geometrical meaning evoking the idea of an empty space which is Euclidean, isotropic, or infinite, basically a mathematical concept.  [2]   Physical space is often conceived in three linear dimensions, although modern physicist usually consider it with time to be a part of the boundless four dimensional continuum known as Space-time.  [3]   According to the Wikipedia information, the concept of space has been discussed throughout history. Plato has discussed about this concept of space in one of his treatise Timaeus, where he reflects on what the Greek called: Chora/ Khora (that is space). Aristotle has dealt with space in Book IV, Delta, in the definition of topos which means place. In a discourse on place (Qawl fi al makan) by the eleventh century Arab Polymath Ibn al _Heythum (Alhazan) discusses geometrical conceptions of place as space qua extension. Aristotelian tradition had held that space and time were those categories which facilitated the naming and the classing of the evidence of the senses. On the other hand, the thinker, Descartes was taken to be important in shaping the concept of space and the key to its matured form. According to most historians of the Western thoughts, he has brought an end to the Aristotelian tradition. As the Cartesian logic evolved, space was considered to be absolute. It became dominant containing both the subject and the object. Science and mathematics has defined this concept of space in their own way respectively and later even the philosophers. Some scholars has studied and analyzed the relationship of time and space. The metaphysicist Immanuel Kant defined space and time as elements of systematic framework that humans use to structure their experience. In his Critique of Pure Reason, he said that space is a subjective pure a priori form of intuition. Therefore its existence depends on the human faculties.  [4]   The Kantian space has revived and revised the old notion of space. Here space is relative, a tool of knowledge, and a means of classifying phenomenon, separated from the empirical sphere. It has a transcendental and ungraspable structure.  [5]   According to Henri Lefebvre, the mathematicians, quite contrary to philosophy, has identified space as Non-Euclidean spaces, curved spaces, x-dimensional spaces( even spaces with an infinity of dimensions), spaces of configuration, abstract spaces , spaces defined by deformations or transformation, by the topology and so on.  [6]   Though the mathematicians has defined and constructed the term spaces, classifying in various ways and measured them, what philosophy did as Leonardo da Vinci had said, is that it helped in the formation of the mental thing that is the mental space. According to Isaac Newton space exists independently and permanently even without the presence of any object in it and therefore it is absolute. On the other hand naturalist philosophers thought that space was a collection of relations between objects given by their distance and direction from one another. The 18th century philosopher and theologian George Berkely attempted to refute the visibility of spatial depth in his essay Towards a new theory of vision. Initially time and space was viewed as independent dimensions. Einsteins discoveries showed that due to relativity of motion, our space and time can be mathematically combined into one object space-time. One can freely move in space but not time. In the middle of the 19th century, psychology first began to study the way space is perceived. Psychologists analyzed the perception of space and were concerned about how the recognition of an objects physical appearance or its interactions is perceived. The philosophy of space and time are inspirations to and central aspect of early analytic philosophy. There are questions related to whether time and space exist independently of the mind and each other. From the theory of logic, space has transcended to nature, practice and theories of social life which unfolds in space.  [7]   The modern field of enquiry has the notion that space has acquired the view of mental thing or mental space. This concept of mental space has no generalization and even no clear account. We hear of different spaces like literary space, ideological spaces, the space of the dream, psychoanalytic topologies etc. Michel Foucault said that knowledge (savoir) is also the space in which the subject may take up a position and speak of the object with which he deals with in his discourse.  [8]   But he neither explained the spaces nor defined their distinctions. The linguist Naom Chomsky has given the idea that a mental space has certain specific properties with orientations and symmetries but completely ignores the gap between linguistic mental space and social space. Lefebvre believed that the modern thinkers had fetishized the philosophico-epistemological notion of space and that the mental realm envelopes the social and physical ones. The quasi-logical presupposition of an identity between mental space (the space of the philosopher and epistemologists) and the real space creates a gulf between the mental sphere on one side and the physical and social spheres on the other. He said that there cannot be a fixed knowledge of space and without it we transfer to a level of discourse-the level of mental space a large portion of the attributes and properties of what is actually social space. Between the sixteenth and nineteenth century, he said that space was not only read but there existed a code which is architectural, urbanistic and political, with a specific language which is common to all strata of people. He said that anything like leisure, work, play, transportation etc., can be spoken of in the spatial terms in an artists or writers world. Therefore there is an indefinite multitude of space around us. He questions whether space can be nothing more than the passive locus of social relations. In general he talks about three kinds of spaces: 1. The physical space nature, the cosmos. 2. The mental space with its logical and formal abstractions. 3. The social space. What he is concerned with is the logico-epistemological space, the space of social practice, the space occupied by sensory phenomenon, including products of imagination such as projects and projections, symbols and utopias.  [9]   There are certain specializations of space. When we think of a space, we are immediately concerned with what occupies the space and how it does so along with the energy present within the space. Without energy, the physical space has no reality. This space is always associated with time. space considered in isolation is an empty abstraction.  [10]   According to Fred Hoyles theory, space is a product of energy. Henri says that multiplicity of particular spaces, yet diverse are offered by this universe. Apart from the concept of physical space, mental space and social space, he dealt with the minute elements in space like ideal space related to mental space and real space associated with social space These two spaces are in a way related to each other. He said that philosophy has played an important role in the development of the abstract (metaphysical) representations of space, where the Cartesian notion of space became significant due to its homogeneous, isotropic character which helped it to become absolute and infinite and divine. But space is even beyond this. Plato talks about the cosmic space, where the space of the city is a reflection of the Cosmos. Literature too reveals different spaces to us. But the problem is that the space here is enclosed, described, projected, dreamt off and speculated about. When we talk of a particular space, we distinguish it and not isolate it. Various kinds of space comes together to produce a space. In relation of language, Henri questions whether a language follows or accompanies a social space. Many people have explored space in different ways. In his work, George Bastille has played with the space on inner experience on one hand and the space of physical nature on the other and social space. Through Hegelian viewpoint, space is considered to be a product and residue of historical time. Though Hegel had the idea of a concrete universe. Social space is a social product and when produced serves as a tool for thought and action. As said by many thinkers, it is difficult to distinguish social space as distinct from mental space and even physical space. Every society produces a space of its own. The Asiatic mode of production of space is different from the Western mode. There are multitudes of intersection in space. The way certain spaces are represented by the society, lead to the representations of space. Representational spaces on the other hand deals with spaces associated with its images and symbols. These spaces represent something of their own. It overlay the physical space, making symbolic use of its objects. Even though they are abstract, the representations of space, has a role in social and political practice. They have a role to play in the established relations between objects and people, following certain rules. This is not the case of representational spaces. It is filled with symbolic and imaginary elements. According to Henri Lefebvre, a psychoanalyst or anthropologists are students of representational spaces. Childhood memories, dreams are all part of this representational space. The gap between representations of space and representational spaces is culture. Therefore what can be concluded is that the producers of space are related to the representations of space while the users of a space are related to their representational space. Here I conclude that space with its original and represented identity occupies a part of our physical and mental self and even helps in the identification of these self. Each physical space creates a mental space, a space with certain intimate values. A house can be used for the phenomenological study of the intimate values of space.  [11]  All inhabited space bears the essence of the notion of home. Thoughts and experience is not the only thing that sanctions human values. We will deal more with this later in the thesis. After dealing with the basic idea of space with the help of the views and ideas of Henri Lefebvre, I want to connect this idea of the concept of space in dealing with the cinematic space. Cinematic space is the represented space, selected, manipulated and projected as a finite field of vision.  [12]  As Henri Lefebvre has said that it depends on the producers of space. This space is what we see on the screen. This screen space is marked by a frame which acts like the borders in a painting. It is geometric and represents the space that we see on the screen. In this way it divides the screen space into onscreen and off-screen spaces. The frame acts as a window connecting u to the film space and on the other hand separating the space we inhabit from the film space.  [13]  We the spectators look through the frame. According to Gilles Deleuse, the cinematic frame is a relatively closed system Which includes everything which is present in the image ­- sets characters and props framing  [14]  . The frame acts as a system providing us with all the information regarding the image and all these information acts like a data which are known as the elements in the frame. Therefore the frame is inseparable from two tendencies towards saturation or towards rarefaction.  [15]   This image that the frame provides is not just to be seen, it is a message, and it gives us certain information, which are produced by the elements present in the frame (these elements are also some information}. This is how the space produces its own language. He said that the frame is a spatial composition of parallels and diagonals, helping to form equilibrium. the frame is conceived as a dynamic construction in act, which is closely linked to the scene, the image, the characters and the objects which fill it.  [16]   The frame cannot be separated from its rigid geometrical boundaries. It has certain limitations. Like many Western painters this has been explored by many film makers like Griffith, Eisenstein. Deleuze said that light too is a subject of geometrical optic, when it is divided into two parts forming light and shadow.  [17]   They help in the making of this space. The presence of objects inside the frame creates secondary and tertiary frames like for example the house, doors, windows, mirror and even a fence. Therefore a frame is never fixed. A gradual progression takes place which is physical and affects the viewers psychologically. Each object inside the frame has something to say, something to express and therefore have a meaning. Here geometrical divisions in the frame becomes insignificant. The framing angle is also an important characteristic of the frame. Deleuze said the frame is related to an angle of framing. This is because the closed set is itself an optical system which refers to a point of view on the set of parts. Of course the point of view can be or appear to be bizarre or paradoxical: the cinema shows extraordinary points of view at ground level or from high or low, from low to high, etc. but they seem to be subject to a pragmatic rule which is not just valid for the narrative cinema: to avoid falling into an empty aestheticism they must be explained ,they must be revealed as normal and regular either from the point of view of a more comprehensive set which includes the first, or from the point of view of an initially unseen, not given element of the first set. give an example if It is here that the frame becomes an optical system, logically justified. But this justification does not always work. In the conclusion of his essay, Deleuze says that the frame finally determines an out-of-field, in the outline of a larger set which extends it or in the figure of the whole into which it is incorporated.  [18]   In the book Republic, Plato talks about two modes of representation which are distinct and opposed to each other. These two modes are mimesis (imitation) and diegesis (narration). Theatre is related to imitation which shows us something whereas novel tells us a story. Cinema on the other hand incorporates both these characteristics.  [19]   In its early years, cinema followed the theatrical mode of representation. Here the frame is tableaux form, static and faces the audience. Therefore the cinema much influenced by the theatrical stage. The camera is static. The character enters the stage, performs and walks out. The camera does not follow the movement of the characters. Hence just fixed in the centre. Traditional theatrical space is an architectural product, where beyond the proscenium it does not exist for the viewers. Classical narrative cinema has transformed this space into an illusorily continuous cinematic space. The cinematic film space is a figurative construction, resulting from medium specific techniques such as framing, camera movement and editing.  [20]  This space is linked to the codes of renaissance perspective, where the property of centering addresses to the subject whose position the space determines. Classical Hollywood cinema gave lot of importance to the use of space. This graphic space of the image, that we see on-screen acts as the vehicle for the narrative development.  [21]  These films created an illusion of reality where the screen became just a transparent object and the frame became invisible. A powerful three dimensional space is represented through the use of lens, lighting, camera movement and angles and other techniques. The space became as important as the narrative structure. So, what is the basic function of the frame? The frame shows us the image and creates an illusion of reality. We already know that the Classical Hollywood films were highly inspired by visual art and as art has evolved, cinema has also evolved gradually taking inspiration from it. Film studio developed, taking inspiration from the workroom of artists and painters. There is a lot of similarity between classical Hollywood cinema and classical novels. Their style is influenced by the post Renaissance painting. Along with centering, the main aspect of this style is balancing, frontality and depth. Here, in the composition of the image, the subject or the character is always in the centre, with all the attentions, in focus. With the coming of the Renaissance period, human thoughts became anthropocentric. It is no more centered on the religion, god. The importance of man as an individual identity instead turned out to be the thought of the period. There was a highlight on the facial expressions and the human body became the centre of attraction other than the narrative. Like in the paintings, a balance is always maintained in the visual composition of the film. The characters are evenly distributed in the film space. Both these technique helps in the progress of the narration. The use of frontality is an influence of the Greek and Roman theatre. Through this technique the narrative action is addressed to the viewers. The depth is established through the use of lighting mainly 3 point lighting (the key, fill back lighting and etc.) and costumes. Sometimes the set is painted in different colour to create the various depths. I think the use of sound to produce an illusion of depth came much later. By the establishment of depth, the film s tries to portray a perspective which is more or less linear, influenced by the ancient Greek Perspective, where the vision is organized around the static monocular observer, and in his vision all the parallel lines recede in the vanishing point. In this way, a personalized space is achieved, trying to conceal the flatness of the film space. The emergence of this classical narrative logic gives rise to cinematic subjectivity and the isolation of the spectator.  [22]   Classical Hollywood cinema places the spectator in an ideal position of intelligibility.  [23]   A film uses onscreen and off screen space to produce the diegetic world. Cinematic off screen space is different from the theatrical off stage space. The off screen film space has a pro filmic reference. The early films of Lumiere a Melies, had camera pointed at the action and remained static for the duration of the action. The early films acknowledged the space outside the frame, for example the workers leaving the Lumiere factory 1895, showed the people moving through the frame and off the edge. The most important element of the film frame is mise-en-scene, a theatrical term. Both are depended on each other. It means everything which is put into the scene, or what we find in the film space. The frame along with the set design, camera and character movement, lighting and even sound, everything combined together form the mise-en-scene. And this mise-en-scene helps in the formation of the composition. Mise-en-scene can be defined as the articulation of the cinematic space, and it is only concerned about the space.  [24]   On the film set it creates an illusion of the reality or fantasy. The setting of the film is an important aspect of the mise-e-scene. It includes the shapes, designs and color of the film set. Colour also helps in the development of the narrative. It is used as a symbol. A set can be artificially constructed for an indoor shot or manipulated in the outdoor shot. Apart from the design and colour, props play an important role, in the development of the narrative. In the absence of the actors, they even tell a story and which are not possible in a theatre. They express certain mood, and say what is unsaid by the film narrative. the elements of the setting turns into motifs  [25]   Along with the props and costumes, the make up of the actors also furnishes the setting of the narrative. The props and costumes are also used for the film publicity, and they even help to turn certain characters into cult figures. Lighting is another aspect of the mise-en-scene, other than creating the illusion of reality, artificially producing light for an indoor shoot or day for night shoot, light along with colour and sometimes the prop creates the mood of his film. In the shot composition light and shadow works together. It helps in the development of the film space, sometimes maintaining continuity when camera movement takes place within a space. And at other times, different lighting helps to distinguish various spaces used in the film. I must say here that along with lighting sound also plays the same role. Light, colour and sound combined or individually can create suspense, horror, happiness and even loneliness. Light creates texture.Four major features of film lighting can be isolated are: its quality, direction source and colour. Light quality depending on its intensity creates a sharp or a soft image by diffusion. With the use of hard light the shadow becomes bold creating definite contours. Light along with the lens and camera angle can be used to manipulate the shape of an object to enhance a mood. the proper use of light can embellish and dramatize every object -Josef von Sternberg. As earlier film makers used the frontality of the characters to highlight their presence, to give them a central position, similarly light is used to keep certain character at the centre of attention. This technique is also used in theatre. The direction of light in the film space, creates the presence of an off screen space. This idea also developed from the influence of paintings from the Renaissance period. Every light has a point where it is brightest and a point towards which it wanders to lose itself completely.The journey of rays from that central core to the outposts of blackness is the adventure and drama of light.   [26]   Depending on the narrative, the film space is generally lit up by top lighting, backlighting, side lighting, and frontal lighting and under lighting. Backlighting creates a dreamy; fantasy image similarly under lighting is used to create a horror image. Different sources of light works together in the cinematic space to create the mental space of the spectators. Generally during a shoot three point lighting is used with key light (primary), fill light (secondary, softens the shadow) and backlight which highlights the character and separates it from the background thus creating depth. We have already discussed earlier how this method of lighting is use in Classical Hollywood cinema. Along with the direction, the source of the light on the film space creates an impact. For out door shoot during the day, we get the sun light, the sky light and the reflected light from the objects around. The lighting is natural and therefore the look is also natural. This light can be manipulated to give a bluish tone with the use of 85 filter and the light can be further controlled with the use of neutral density filters to avoid over or under exposure of the film. In the case of indoor shooting, it is obvious that artificial light is to be used even to give the reference of a natural source of light. Light is continuously measured and blended to create the ci nematic space. Here I want to say that though the basic reason for the use of lighting in a cinematic space is similar to theatrical space but the technique is different. This is because lighting in the theatrical space is more loud and dramatic whereas in the film space it is subtle. From all the information that I have acquired and the knowledge that I have gained, I therefore say that light is a language through which we can also tell a story. Its use is dynamic and is very important in the cinematic space. Only through light, we can see the film space. Mise-en-scene helps the character to express feelings and thoughts. The movement of the actors, their action, everything gets enhanced by the presence of the mise-en scene. Even acting in the cinematic space is different from the theatre. Cinematic space creates an illusion, where the screen frame acts as the window but the actors never stairs at the window; they do not stare back at the audience, unless and until it is required by the film narrative. So through the presence of the actors, the way they move, talk, behave provides the film with an illusory realistic space. When we take a shot, the space in front of the camera is two dimensional when we take the shot, it remains the same but when the film is projected, and we see it on the screen, we see a three dimensional space and this space is enhanced through certain aspects of the mise-en-scene like colour, balance, size and movement. In a static set the movement of certain objects draws the attention. Colour can enhance certain mood. We know that it is used as a symbol. It can refer to different time space or change of space. The balance in placing the figure is also important. It determines the attention of the viewers. Size work in relation to the movement, colour and balance. The size of the objects creates the illusion of depth, where the objects in the foreground are generally larger in size and the objects in the background are small. The closer the object, it is more in focus. The depth creates a volume in the space. A different plane of the shot gets established due to the use of depth wh ich creates the illusion of space. A film suggests volume by the use of movement, shape and shading.  [27]   Mise-en-scene can control not only what we look at also when we look at it.  [28]   It creates a sense of movement in time. Mise-en-scene helps to compose the film shot in space and time. Inside the film space, therefore it is the mise-en-scene which creates the cinematic space using both the onscreen and off-screen space and it is this cinematic space which creates the illusion of a real world or a fantasy world. The film narrative does not work with space alone but space and time. Time is ever changing and space also keeps evolving. Leaving aside, all the scientific reasons for the evolution of space, what I think that a space evolves with time only with the intervention of a man. It evolves in the imagination of the man. The cinematic space is an example of this space. Other than cinema this space can also be created through literature, music, dance, painting and even food. We prefer more of this cinematic space other than where we belong to, because it incorporates our likes and dislikes, keeping in mind that it is our own creation. In dealing with the space and time in a film, it is necessary to study their unity within a shot and between two shots. It is not possible to visualize time on a screen without any action or movement in the space. Movement in reality is continuous but movement on the screen is discontinuous and is achieved very quickly by a series of still photographs.  [29]   In a film the dimensions of space and time cam be manipulated and this has become easier with the digital techniques. Slow or fast motion is used by changing the film speed. This manipulated space is artificial. From the early years of human civilization, paintings, sculptures have evolved as a language. A visual language, which can preserve itself. It creates its own memory. With the coming of industrialization and modernity, photography became more popular. Its basic function or utility is to freeze a moment, capture it and create a memory. Cinema moves a step ahead. It not only captures a specific a moment, but a period of time  [30]   It is som

Turkey :: essays research papers fc

Because of the war women gained the right to vote to vote. In 1946, the multiparty era began. A military junta seized power and governed from 1960 to 1961. In 1961, a new constitution was ratified, and elections began. The 70’s were a time of political violence and economic uncertainty. Because of this, in 1980 a second junta was formed, which instituted martial law and abolished all political parties. The second junta was dissolved because of a new constitution, adopted in 1982. Turkey then became a republican parliamentary democracy. The country of Turkey is a republic led by an elected president, which is similar to our country. Their president is H. E. Ahmet Necdet Sezer. He is the commander- in- chief of the armed forces, he is presiding officer at cabinet meetings, and the head of state. The Executive branch is made up of the chief of state, which is President Ahmet Necdet Sezer; the head of government is Prime Minister Bulent, who represents the majority party or coali tion in Parliament. The cabinet consist of Council of Ministers appointed by the President. The cabinet members are nominated by the Prime Minister and elected by the President. The President of Turkey is elected by the Grand National Assembly for a seven year term. All citizens over 20 years old are entitled to vote. The legislatue of the country is the Grand National Assembly, which is the Parliament of Turkey. They have the power to make laws, ratify treaties, and declare war. But unlike our Congress they are an unicameral legislature. This means that they only have one house of legislature. The Grand National Assembly consist of two chambers, the National Assembly and the Senate. The National Assembly consist of 450 members, who are elected for 4 year terms by the people. The Senate has 150 members, plus 40 others who are not elected, but appointed as members for life. The elections were last held April 18, 1999. The seats held by varies parties are subject to change due to defe ctions, creation of new parties, and ouster or death of sitting deputies, as of January 1, 1999. They receive their power from the Constitution of 1982. The Assembly is headed by the Prime Minister, Bulent Ecevit. Parliament in Turkey’s electoral system are elected according to the proportion of votes they attract, rather then with the most votes won. A party needs 10% of the national vote before it can be considered for a seat in Parliament.

Junk Food Industry and Obesity

â€Å"In the U. S. obesity rates have risen from 14% in 1978 to 31% in 2000†¦according to WHO/FAO in 2001, chronic diseases resulting largely from poor diet contributed to 60% of the 56 million reported deaths worldwide† (Lang & Heasman 2004:53). Both Canadian and American citizens alike spend vast amounts of their money on food and a significant percentage of that money is spent on low-nutrition foods such as fast foods and processed foods. Being the cash cow that it is, the capitalist food system has provided the opportunity for corporations to profit numerous types of junk foods (fast & processed foods containing high sugar, salt, fat). According to Robert Albritton’s (2009:90) â€Å"Let Them Eat Junk,† he argues that â€Å"the consumption of junk foods is not the only cause of obesity, but it is doubtless a major cause†¦[and] obesity is something that we allow to happen, and while there may be many causes, [he] would argue that the primary cause is a capitalist food system that we have allowed to subject us. † This essay will further extend on that argument and examine that the growing trend of obesity is caused by the fundamental principle of the capitalist food system, which is to profit from selling junk foods without considering the health consequences associated with it. Examining why consumers eat junk food in a sociological perspective, the financial incentives associated with selling junk foods in a capitalist perspective, and the health problems/consequences from the consumption of junk foods will be explored. A solution will be provided in attempts to rectify the growing trend of obesity due to junk foods. It is vital that we also look into the health implications as a result of the consumption of junk foods. Most notably, the greatest risk being obesity. Public health is an important factor in today’s society. Billions of dollars are spent on health care all over the world. At the same time, about the same amount of money is being put into a system that deters the health of millions of citizens every year (Adams 2005). In the present, the junk food industry is becoming a focal point in controversy surrounding its impact on public health. For example, â€Å"many blame fast food businesses for public health concerns, arguing that fast-food choices and large portion sizes contribute to obesity, diabetes, heart disease, and a variety of other diet-related problems† (Adams 2005). In 2002, director Morgan Spurlock subjected himself to a diet based only in McDonald's fast food three times a day for thirty days and without working out. His objective was to prove why most of the Americans are so fat, with many cases of obesity (IMDB). He gained about 18 pounds over the course of the experiment, experienced mood swings, loss of sex drive, and nearly catastrophic liver damage. Spurlock’s body fat composition increased by 7 percent, his cholesterol went up 60 points, and his blood pressure rose from 120/80 to 150/100. Shortly after Mr. Spurlock’s revelations about his fast-food experiment, the Associated Press reported that McDonald’s was phasing out its super size menu options (Hagloch 2005). â€Å"Super Size Me† (name of the documentary) was a great example of how junk food affects the general public and is also an indication that the junk food industry, motivated by profits and shareholder interests, has ignored its responsibilities to the consuming public. It is clear that there is a huge demand for junk foods and that corporations thrive on this demand by creating more and more junk foods. As a result, there are health consequences such as obesity. Solutions to reduce obesity should be one of the main concerns in today’s society, however, to completely rid junk foods entirely need not be one of the solutions. The junk food industry plays a significant role in stimulating the North American economies. â€Å"Three-quarters of all Americans live within three miles of a McDonald’s, and two-thirds live within three miles of a KFC, Pizza Hut or Taco Bell fast food restaurant. † (Albritton 2009:98). In addition, supermarkets in North America are one of the most popular destinations for consumers to do most of their shopping. Supermarkets play a major role in the American food regime since that is where 40% of all food is purchased. Supermarkets typically sell a high proportion of highly processed, highly packaged and highly transported foods. In other words, supermarkets are largely purveyors of unsustainable petrofoods and unhealthy processed foods† (Albritton 2009:120). Given that junk foods are a signific ant contributor to the North American economies, it would be unwise to completely abolish the production and sales of junk food in order to solve the obesity epidemic. Rather, there should be more of an educational solution to fight against obesity. With the high demand for junk foods due to the fast-paced lifestyle in North America and for the availability of these foods provided by corporations that strive to gain profits, it is no surprise that junk food is one of the leading causes of obesity in North America today. As Robert Albritton (2009:90) pointed out, â€Å"†¦the primary cause is a capitalist food system that we have allowed to subject us. Although the junk food industry is significantly vital towards the stability of the North American economies, it would be unwise to rid the production and sales of junk foods entirely. Instead, the use of subsidy dollars to invest into nutritional awareness programs and the reduction in portion sizes for fast and processed foods are recommended options to prevent obesity. These steps may not on its own prevent obesity, however, these are one of many important steps in fighting against the obesity epidemic today and for future generations.

Christmas Tree Worm Facts

Christmas Tree Worm Facts The Christmas Tree Worm is a colorful marine worm with beautiful, spiraling plumes that resemble a fir tree. These animals can be a variety of colors, including  red, orange, yellow, blue and white. The Christmas tree shape shown in the image is the animals radioles, which can be up to about 1 1/2 inches in diameter. Each worm has two of these plumes, which are used for feeding and respiration. The rest of the worms body is in a tube in the coral, which is formed after the larval worm settles on the coral and then the coral grows around the worm.The worms  legs (parapodia) and bristles (chatae) protected within the tube are about twice as large as the portion of the worm visible above the coral.   If it worm feels threatened, it can withdraw into its tube to protect itself. Classification: Kingdom: AnimaliaPhylum: AnnelidaClass: PolychaetaSubclass: CanalipalpataOrder: SabellidaFamily: SerpulidaeGenus: Spirobranchus Habitat of the Christmas Tree Worm The Christmas tree worm lives on tropical coral reefs throughout the world, in relatively shallow waters less than 100 feet deep. They seem to prefer certain coral species.   The tubes that Christmas tree worms live in can be up to about 8 inches long and are constructed of calcium carbonate.The worm produces the tube by excreting calcium carbonate that it obtains from ingesting sand grains and other particles that contain calcium. The tube may be much longer than the  worm, which is thought to be an adaptation that allows the worm to withdraw fully into its tube when it needs protection. When the worm withdraws into the tube, it can seal it tight using a trapdoor-like structure called an operculum. This operculum is equipped with spines to fend off predators. Feeding The Christmas tree worm feeds by trapping plankton and other small particles on their plumes. Cilia then pass the food to the worms mouth. Reproduction There are male and female Christmas tree worms. They reproduce by sending eggs and sperm into the water. These gametes are created within the worms abdominal segments. Fertilized eggs develop into larvae that live as plankton for nine to 12 days and then settle on coral, where they produce a mucus tube that develops into a calcareous tube. These worms are thought to be capable of living over 40 years. Conservation Christmas tree worm populations are thought to be stable. While they arent harvested for food, they are popular with divers and underwater photographers and may be harvested for the aquarium trade. Potential threats to the worms include habitat loss, climate change and ocean acidification, which could affect their ability to build their calcareous tubes. The presence or absence of a healthy Christmas tree worm population can also indicate the health of the coral reef.   Sources De Martini, C. 2011. : Christmas Tree WormSpirobranchus sp.. Great Barrier Reef Invertebrates. University of Queensland. Accessed November 29, 2015Frazer, J. 2012. The Overlooked Joy of the Christmas Tree Worm. Scientific American. Accessed November 28, 2015.Hunte, W., Marsden, J.R. and B.E. Conlin. 1990. Habitat selection in the tropical polychaete Spirobranchus giganteus. Marine Biology 104:101-107.Kurpriyanova, E. 2015. Exploring the Diversity of Christmas Treet Worms in Indo-Pacific Coral Reefs. Australian Museum. Accessed November 28, 2015.Nishi, E. and M. Nishihira. 1996. Age-estimation of the Christmas tree worm Spirobranchus giganteus (Polychaeta, Serpulidae) living buried in the coral skeleton from the coral-growth band of the host coral. Fisheries Science 62(3):400-403.NOAA National Ocean Service. What Are Christmas Tree Worms?NOAA Encyclopedia of the Sanctuaries. Christmas Tree Worm.SeaLifeBase. (Pallas, 1766): Christmas Tree WormSpirobranchus giganteus. Accessed November 29, 2015. University of Queensland.  Great Barrier Reef Invertebrates: Spirobranchus giganteus.

Patron and Matron

Patron and Matron Patron and Matron Patron and Matron By Mark Nichol As Latin scholars may recognize, patron and matron are cognate with the Latin words for â€Å"mother† and â€Å"father.† However, their senses, and those of inflectional forms of these words, extend beyond the immediately family. Patron, which means â€Å"sponsor† or â€Å"supporter,† ultimately derives from the Latin term pater, meaning â€Å"father,† but the senses of its intermediate form, patronus, are â€Å"bestower,† â€Å"lord,† and â€Å"master† as well as â€Å"model† and â€Å"pattern.† (Pattern, as a matter of fact, stems from patron, the identical French forebear of the English word.) Because of the diversity of definitions, a patron can be a wealthy philanthropist who supports an artistic endeavor or a social cause or a mere customer of a business establishment. The similar-looking term patroon, a Dutch variation on the French word, denotes in historical American English usage a landholder in Dutch colonial territories in what is now the northeastern United States. Patronage applies in either sense to the act of being a patron. Likewise, patronize has a dual meaning: In its positive connotation, it simply describes being a customer, but it also has the pejorative sense of â€Å"condescend,† or â€Å"look down on,† from the notion of a person of higher social status arrogantly regarding someone of supposedly inferior standing. Two words that contain the letter sequence seen in patron but are descended directly from pater are patronym (literally, â€Å"father’s name†) and patronymic (literally, â€Å"from the father’s name†); the latter is both a noun and an adjective. Matron, from the Latin word mater by way of matron, meaning â€Å"married woman,† also has modern senses that deviate from its familial origins: The word now signifies a woman with a mature demeanor and high social status, though the adjective matronly derogatorily suggests someone of a certain age and a certain bulk. In a wedding party, however, a married maid of honor is called a matron of honor regardless of age or size. Historically, a female supervisor in a public institution such as a prison or a school was called a matron, and in animal husbandry, a matron is the female equivalent of a stud. Matronym and matronymic are the female equivalents of patronym and patronymic. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:50 Slang Terms for MoneyHyper and Hypo7 Sound Techniques for Effective Writing

The Bribery Scandal at Siemens AG Case Study Example | Topics and Well Written Essays - 1000 words

The Bribery Scandal at Siemens AG - Case Study Example The practice of bribery is perceived advantageous to parties involved since it enables them acquire business gains without having to meet expected standards, developing relationship with foreign officials or being favored by potential customers. In other instances, they can also benefits from reduction of the payouts involved, thereby resulting to increased profitability for the company. Other benefits derived by these companies from the practice of bribery are such as opportunity cost since money offered as a bribe in not considered to be in productive use. Siemens AG was involved in a case of corruption that involved bribery in 2006 and 2007, whereby this scandal involved company’s employees, who had established slush fund meant for facilitating acquisition of contracts. For instance, Siemens managers were convicted of embezzling company funds amounting to six million pounds in order to bribe foreign officials to acquire a contract involving natural-gas turbine (Akana, 1). H owever, the perception of the executives towards this case was that getting involved in bribery practice was worth it, since the employees were willing to break the law in order to gather huge profits. Other employees argued that this act was not a violation of any laws since it did not result to any personal gain; instead, it was aimed at enhancing Siemens’ positioning strategy. Nonetheless, their notions were not rational since breaking the law can never be for the right purpose; thus, despite, focusing on the benefits that to be derived from practice of bribery for the Company. Question number 2: Was the Board right in not extending Kleinfeld’s term even though he had performed well and was not personally implicated and explain? What virtuous and/or virtuous behaviors did he show with observable facts? Decision of board whereby they failed to extend Kleinfeld’s term can be considered personal due to lack of rational reason associated with the bribery scandal. This judgment is made based on considerations of the challenges that Kleinfeld was faced with as the CEO willing to rescue the company from the bribery scandal in order to sustain their growth. On the other hand, Kleinfeld had gained confidence on issues such as labor and management in the Siemens AG. Besides, there is need to understand that the scandal caused by bribery practice was not entirely Kleinfeld’s fault; in fact, employees were the once involved in the practice. The entire company should have taken the blame; instead of laying the whole burden on the CEO. The board should have considered that engagement into these practices was due to the influence increasing competition among companies, hence these illegal payments aimed at winning international contract was the only option for these employees in the emerging economies. Furthermore, Kleinfeld was not directly implicated in the scandal; thus, by the fact that he was responsible for behaviors of the employees, thi s case was out of his control. In fact, Kleinfeld was unaware of the unlawful practices that employees were engaging in within the company. In addition, the practice of bribery was hard to notice since there was commonality of spending funds amounting to four hundred and twenty million and they were unnoticeable or unquestionable (Akana, 1). Kleinfeld’

Project report Statistics Example | Topics and Well Written Essays - 1500 words

Report - Statistics Project Example The value of the correlation coefficient between sales per square metre and number of part-timers is about 0.0501. This suggests a very weak (or negligible) positive linear relationship between sales per square metre and number of part-timers. As shown in figure 3, there appears a positive linear relationship between sales per square metre and total number of hours worked. The value of the correlation coefficient between sales per square metre and total number of hours worked is about 0.2630. This suggests a weak positive linear relationship between sales per square metre and total number of hours worked. Figure 4 shows the scatterplot between sales per square metre and sales floor space of the store. As shown in figure 4, there appears a negative linear relationship between sales per square metre and sales floor space of the store. The value of the correlation coefficient between sales per square metre and sales floor space of the store is about -0.2938. This suggests a weak negative linear relationship between sales per square metre and sales floor space of the store. Since, the value of the test statistic, t = 4.871 is greater than 1.966, we reject the null hypothesis, H0 and conclude that there is a significant relationship between sales and number of full-timers. Since, the value of the test statistic, t = 1.000 is in-between 1.966 and -1.966 (non-rejection region), we do not reject the null hypothesis, H0 and conclude that there is no significant relationship between sales and number of part-timers. Since, the value of the test statistic, t = 5.438 is greater than 1.966, we reject the null hypothesis, H0 and conclude that there is a significant relationship between sales and total number of hours worked. Since, the value of the test statistic, t = -6.132 is less than -1.966, we reject the null hypothesis, H0 and conclude that there is a significant